|
... wunderbar modulierbare Stimme und faszinierende Gesangstechnik treffen auf allerfeinstes Jazzhandwerk.
(Rundschau/A)
...wide open arrangements of spatially conceived original compositions.
Heinrich von Kalnein's quintet includes Marek Balata as a wordless vocalist who employs scat, vocalese, and assorted vocal sound effects that impart an atmospheric character to the pieces. The effect is similar to that of using wordless vocals in a movie soundtrack to evoke a choral or spiritual ambience...
Scat and vocalese... are pushed to a level equal with von Kalnein's reeds. This is best illustrated on "Sam" where Balata and von Kalnein become one in the music. Kalnein introduces a compelling melody that is joined by Balata, who solos in scat to striking effect. "Sam" is one of the more compositionally tethered pieces on the disc, which is more widely populated with air, open spaces filled with bass, percussion, and keyboards on all sides with von Kalnein and Balata weaving in and out of the mix. These effects are well reflected in "Songlines" and the eerie "Homepage".
The closing "Coming Home" is an ethereal ballad, softly set to flight by von Kalnein and spurned on by keyboardist Uli Rennert, who uses a variety of effects to cushion the saxophonists's emotive flights. Achim Tang establishes a steady bass heartbeat, welcoming Balata into the harmonic, melodic mix. Songlines smacks of originality and uniqueness in a current deluge of less well conceived projects.
(C.Michael Bailey, www.allaboutjazz.com)
|
 |
Heinrich von Kalnein
TRILOGIE